With fiery passion and heart-wrenching emotion, the intensely expressive musicians in Z.E.N. Trio come together for a rare and unforgettable tour with Musica Viva Australia. Comprised of three internationally acclaimed soloists, the Z.E.N. Trio have made their name through the BBC New Generation scheme, a Deutsche Grammophon recording, and countless Embarking on their first national tour, the Trio premiere a new work from Musica Viva Australia FutureMaker, Matt Laing, a composer of great virtuosity and originality. Alongside this work is Arno Babajanian’s thrilling trio, and Dvorák’s intoxicating ‘Dumky’.

You're invited to come behind the scenes at WAAPA. Speak with staff members about course options and learn about auditions. Marvel at the design work, costumes and props on display. Check out the superbly equipped lighting and sound studios, the music technology labs and the scenery construction workshops. Explore the campus, take a backstage tour and attend information sessions.

This current affair show, live on stage, is a provocative, insightful, and witty evening with international human rights judge and barrister Geoffrey Robertson QC. Geoffrey Robertson will analyse the current Australian and global politics, the current international turmoil, explain how fake news distorts democracy, what is really happening to the royal family, and his calls for Australian constitutional regeneration. He will explain what is happening to Julian Assange, how to stop the rich from inheriting the world, and the thinking behind ‘Bad People – and How to Be Rid of Them.’ The show will give an insight into his life and famous cases and his crusade to restore cultural property from museums around the world to the people from whom it was stolen.

‘Chinoiserie’, the Western appropriation of Asian aesthetics, briefly represented the height of fashion for European aristocracy during the early eighteenth century, before falling out of favour and being variously characterised as effeminate, immoral and transgressive. Today the style remains something of a guilty pleasure, via its undeniable aesthetic charm, but intensely problematic and kitsch appropriation of Asian culture. A Gentle Misinterpretation will transform FAC’s gallery spaces into an opulent, sensual and comedic exploration of one of Western culture’s most fascinating aesthetic curiosities. ARTISTS Abdul Abdullah Casey Ayres Nathan Beard Sandra Black Tanija and Graham Carr David Charles Collins Theo Costantino Susan Flavell Tarryn Gill Pilar Mata Dupont Cherish Marrington Andrew Nicholls And various artisans from Jingdezhen China and residents of Brighton, UK

FREE Bingo 7pm – 9pm - Prizes to be won - $4 House Spirits - $8 Vodka Red Bulls - Plus additional drink specials for Cellar Key Members (join for free at the bottleshop) - Doors open from 5pm - book dinner beforehand on the website Bookings are strongly recommended to secure your spot!

Watercolour is a fascinating medium that is often said to be one of the most difficult art forms. In this captivating exhibition, the Watercolour Society of WA uses paintings by its members to unlock secrets that can take years to learn. Exploring Watercolour allows visitors to discover what these talented artists paint with, what they paint on, where they paint, the techniques they use, and the unexpected delights of this fascinating medium.

Following on from AGWA’s late 2021 project 100 Vandals, which featured 100 black book drawings by Western Australian graffiti artists, Heavens Spot welcomes a select painter from this community of artists to leave their mark directly on the walls of AGWAs rooftop gallery. Its title refers to a graffiti location that is hard to reach and highly visible, and therefore highly prized. Located in AGWA’s uppermost gallery space and speaking out to the city’s high-rise backdrop, Heavens Spot is a dialogue between the cityscape that serves as the stimulus and surface for this artform and the cultural position of graffiti more broadly. Cultivating a layered awareness of the ways graffiti engages with our surroundings, Heavens Spot shifts perceptions in subtle and bold ways. Typical encounters with graffiti are often fleeting; shapes and colours command a moment’s attention, leaving impressions of a maker, a mark, a motif, as we move on to some other place. Equally, both the smallest tag to the largest masterpiece can become comfortably familiar as we recognise the practiced hand of graffiti writers who mark out territory along shared local routes. Though the walls of AGWA have been legalised for this moment, Heavens Spot does not seek to permit the act of painting illegally, rather it observes the significant creative influences that operate in this sphere. Part of an international network of painters, their marks remap cities and suburbs according to alternative feelings towards, and understandings of, the spatial frameworks that normally govern our lives.

Taylor and Pugh have worked together to transform Taylor’s Niminjarra paintings, usually seen on canvas or paper, into highly tactile textile works, animating the important Niminjarra Jukurrpa (Dreaming). “Niminjarra is the two brothers transforming into a snake so they can come back home to Ngayartakujarra (Lake Dora). They were in training for ceremony, those two brothers, but they were kept too long, and nobody was there to release them. They waited then they decided to transform into snakes to travel back to where they came from, because their mother was waiting for them. This is Jukurrpa (Dreaming story).” — Desmond Taylor, 2019 This body of work is born of Taylor’s desire to see his artworks reimagined through a textile medium and is a contemporary crafting of important ancestral stories deeply rooted in Warnman Ngurra (Country). The dynamic intercultural collaboration between Desmond Taylor and textiles practitioner and educator Mariaan Pugh continues the practice of cultural and creative exchange, driven by Taylor and other Martu artists through Martumili Artists, sharing narratives and understandings of the world from the Great Sandy, Little Sandy and Gibson deserts with national and international audiences.

2022 marks the 25th year of the Nannup Flower and Garden Festival. The Nannup Flower and Garden Festival is held every year in August, in the townsite of Nannup. It is coordinated by the Nannup Garden Village and showcases open gardens, the hero flower tulips, bulbs, Town Hall display and associated cultural, artistic and environmental events. The Nannup Tulip Festival started in 1997, evolving from a daffodil weekend run by the Visitor Centre. In 2006 the festival changed focus to incorporate other bulbs and flowers. The festival then became known as the Nannup Flower and Garden Festival.

Nigel Ng is a Malaysian stand up comedian and content creator based in London. In 2020, he went viral from his portrayal of Uncle Roger, a middle-aged Asian man reviewing an egg fried rice video. He has amassed 345 million views on his YouTube channel and a combined following of over 10 million across all his social media platforms. As a stand up, Nigel has been nominated for the Best Newcomer Award for his sold-out show at the Edinburgh Fringe Festival in 2019, and sold out multiple runs throughout the UK and Europe. His TV credits include Comedy Central’s Stand Up Central and Roast Battle, BBC Two’s Mock The Week and ITV’s Jonathan Ross Comedy Club. Nigel also hosts brand new comedy podcast – ‘HAIYAA with Nigel Ng’ as well as ‘Rice To Meet You’.

This City of Fremantle Art Collection exhibition presents a series of Ferrier’s new print works and short animated videos alongside a survey of her internationally renowned Angry Underwear project. Continuing Ferrier’s decades-long feminist practice, the new body of digital prints use photo-montage processes to reassemble ‘taboo’ 1980’s Playboy centrefolds. Challenging misogynistic gender ideals and giving voice to feminine authority, Ferrier reimagines women’s bodies from passive, objectified figures into dynamic surrealist forms. The new works featured in Pop Porn were developed while Ferrier was in residence at Fremantle Arts Centre in 2021.

The World Press Photo Exhibition showcases the best and most important photojournalism and documentary photography from around the world. Presenting the results of the foundation’s annual photo contest, the annual World Press Photo Exhibition showcases the best photojournalism and documentary photography of the last year. For its 65th edition, the contest saw 4,066 photographers from 130 countries enter 64,823 photographs. The winners were chosen by an independent jury awarding 24 winners and six honourable mentions. The works of each of the winning photographers a represented in this exhibition. Step outside the news cycle and think critically about important topics in our world.

In the wake of a new Government, new WHS Act and an everchanging HR/IR landscape, we are pleased to announce this #"HR/IR Action Shot 2022" seminar will be presented by Rob Malcolm, Associate and Kenyon Lee, Lawyer from MinterEllison. For more information and details of what the seminar will provide click on the booking button.

STRUT Dance invites audiences to witness a double bill that celebrates independent contemporary dance from Western Australia. 2022 marks STRUT Dance’s inaugural season of GROUNDWORKS; a platform that offers unique and essential support for mid-length presentation for independent choreographers, allowing them to present performance works in front of an audience, in a theatre setting. GROUNDWORKS 2022 incorporates a blend of contemporary dance, sound, light, and set that celebrates live performance in the theatre; a place where an audience can gather and be transported into another realm. About each performance TITLE: Killjoy Within the confines of an office space, doom descends upon two workers caught in corporate submission. Time is irrelevant here. Inspired by the Japanese ’salary man’ phenomenon, Killjoy is a cult horror film meets live dance-theatre. CHOREOGRAPHER: Kimberley Parkin of Parkin Projects PERFORMERS: Rhiana Katz & Luther Wilson SET AND COSTUMER DESIGN: Declan Macphail / Object House COMPOSITION / SOUND DESIGN: Feels LIGHTING DESIGN: Peter Young TITLE: As the Edges Soften As the Edges Soften explores the transient moments shared between two people, and the temporality of moving together, even if apart. This cathartic duet navigates the in between spaces of our interactions, and the heightened need for connection in a pandemic world. CHOREOGRAPHER AND PERFORMER: Jo Omodei PERFORMER: Mitch Spadaro UNDERSTUDY: Nadia Priolo MENTOR: Bernadette Lewis LIGHTING DESIGN: Peter Young SOUND DESIGN: Sophia Hansen-Knarhoi *Please note post-show discussion with artists will be held after performance on 19 Aug, approx 30 mins *Suitable for all ages however please be aware this performance contains mild violence, swearing, adult themes, strobe lighting and smoke/haze.

Green Day were heavily involved in the musical’s development from its first iteration at the Berkeley Repertory and to Broadway and beyond – Green Day frontman Billie Joe Armstrong also stepped into the critical role of St. Jimmy on Broadway a few times during its run. The musical made it’s debut on Broadway in 2010 and features the hits “Boulevard of Broken Dreams,” “21 Guns,” “Wake Me Up When September Ends,” “Holiday” and the blockbuster title track “American Idiot”. Also included in the score are several songs from Green Day’s 2009 release “21st Century Breakdown,” and an unreleased love song, “When It’s Time.” It tells the story of three friends, Johnny, Will and Tunny - each searching for meaning in a post 9/11 America, discovering love, loss, drugs, sex and rock and roll along the way. American Idiot will be directed by Artistic Director of Midnite, Gregory Jones, with musical direction by Jarrod Van Dort conducting an eight-person live band. "We are excited to bring this explosive rock opera to life", says Midnite's Director, Gregory Jones. “It’s a high-octane show with strong social messages that are relevant today, providing an opportunity for young people to challenge their decision making and express themselves.” The production brings together a talented ensemble of year 11 and 12 students from a range of schools throughout WA. Based at Christ Church Grammar School, Midnite has a reputation for producing outstanding productions and nurturing young and upcoming WA talent. Note: the show contains coarse language and mature themes.

Belvoir St Theatre artistic director Eamon Flack adapted Ibsen’s Ghosts for a 2017 Sydney production – and now his second cousin Thomas Dimmick is directing the show in Perth. Regarded as a scathing commentary on 19th-century morality, Ghosts is the story of Helene Alving who is about to open an orphanage in her late husband’s name. Her maid Regine is helping to prepare things, Regine’s carpenter father has been working on the building and Pastor Manders is organising the paperwork. At the same time, Helene’s son has also come back from Paris for the occasion. Henrik Ibsen’s Ghosts plays at 8pm August 11, 12, 13, 18, 19 and 20 with a 2pm matinee August 14. Tickets are $23, $18 concession – book at www.TAZTix.com.au. Note: the show contains adult themes. Melville Theatre is at 393A Canning Highway (corner of Stock Road), Palmyra.

What a decade it was! The Carpenters had only just begun, ABBA were sending out an SOS, Helen Reddy was woman and we heard her roar! Featuring an avalanche of easy listening from The Carpenters, Olivia Newton-John, ABBA, Peter Allen, Carole King, Billy Joel, Barbra Streisand, Sister Janet Meade & Kermit The Frog! Songs include: You Are the Sunshine of My Life, New York State of Mind, I Honestly Love You, Imagine, Short People, The Long and Winding Road, Don’t Go Breaking My Heart, It’s Too Late, Sing, Big Yellow Taxi & Love Will Keep Us Together. She’s got the moves of Joe Cocker. He’s got Freddie Mercury’s teeth. She’s got the dress sense of the Bay City Rollers. He’s got the pure animal magnetism of Leo Sayer. They’re gonna nail this! Warning: Show may contain traces of Mull of Kintyre!

Formed in Perth through a mutual love of exotic rhythms and odd-time signatures, Number Junky is a guitar-led trio that plays warped jazz standards and number-crunching original music while retaining a focus on lyrical melodies and lush harmony. The group is made up of forward-thinking jazz improvisers - former London-based acclaimed Danish guitarist and composer Kristian Borring and the exciting rhythm section of Zac Grafton on double-bass and Peter Evans on drums, both originally from the eastern states and now thriving players in Perth. Number Junky launches their anticipated debut album 'Earth Matters' at Lyric's Underground. Expect an amazing night of jazz featuring special guest pianist Harry Mitchell with support from trumpeter, Jess Carlton. "Borring’s composition display a lyricism as well as logic that takes the listener on a journey and inspires further listening." – Garry Lee, Seesaw Magazine (AUS) "Intense and cool playing" – Jazz Special (DK) "Kristian’s original compositions are immediately attractive and enduringly impressive" - Chris Parker, London Jazz (UK) Supported by The Department of Local Government, Sport and Cultural Industries.

Kerry and his band the Blues Experience will be performing selected songs of Jimi Hendrix from Electric Lady Land, Are You Experienced and Rainbow Bridge. This will be a night to experience. Previous performances have had wonderful feedback from audience members including some who were at Jimi’s Live shows!

Meet dogs from all walks of life on the big screen at the 2022 Top Dog Film Festival. Meet 4 legged heroes, unbreakable bonds and canine companions that enrich the lives of all those they encounter. Experience heartfelt stories of people who dedicate their lives to improving the outcomes for man’s best friend and take a look at the lighter side of the pet-owner relationship. The 2022 Top Dog Film Festival presents a 2-hour cinematic celebration honouring the bond between dogs and their people. Filled with delightfully doggy moments of joy and celebration of our beloved canine companions.

Furious, tender, harrowing and harmonious, Britten’s anti-war anthem decries the senselessness of the battlefield. Interweaving the poignant words of celebrated war poet Wilfred Owen with the Latin text of the Requiem mass, Britten laments the collective bloodshed and sorrow with a vital and visceral oratorio on the hell of war.

Join us as we welcome Pilbara artists and art centres to AGWA for a three-day program of talks, tours, sharing, and workshops to celebrate the final weeks of the expansive Tracks We Share: Contemporary Art of the Pilbara exhibition. Tracks We Share: Contemporary Art of the Pilbara brings together more than 70 artists and over 190 artworks. This extraordinary body of work features the most exciting contemporary art coming out of the region while paying homage to the legacy that has informed it, offering a rare and broad-reaching insight into the region’s artistic output over the years. The exhibition closes on Sunday 28 August, so join us on 19-21 August for an unmissable celebration of Pilbara culture with artist talks, art demonstrations and family activities. Visit the website for the full weekend program.

Hot off the back of their #1 NZ single ‘Cool it Down’ and a sold out Aus tour supporting music icons Six60, Perth band of brothers Coterie are hitting the road for their first ever Australian headline run.

Known for their stellar onstage charisma, Crooked Colours have built a devout following across Australia having sold out numerous previous headline tours, alongside a multitude of festival slots across Wildlands, For The Love, Splendour In The Grass & Laneway Festival. With the upcoming release of their first single of 2022, ‘Feel It’, further teasing their third studio album, this tour will showcase one of Australia’s hottest electronic acts as they continue from strength to strength. Secure your tickets now as these will be in high demand!