Are you ready to flirt with botanicals? You've come to the right place! This inspiring workshop will suit all levels from beginners to creatives who are enthusiastic about exploring this intriguing knowledge of printing with plants in an environmentally friendly way. Contact printing with plants on fabrics combines art and science to pose a mystery of creativity. This fun workshop in Subiaco enables you to explore eco-printing with Tatiana to achieve beautiful outcomes. You will get to enjoy a full day of diving into the printing process, with breaks sprinkled in, as we wait for your masterpiece to steam. By the end of the workshop, your bundle will be ready to unwrap, a little gift from nature, waiting to show you its mysteries, like a present under the tree. Celebrate your results with a glass of bubbles and leave Tatiana's studio with a special scarf made from natural silk and printed with botanicals by YOU! Grab your friends, partner, or family member, and have a fun day creating your very own unique art!

In 2021 we return to the playwright and stage where it all began, where we invite you to vote for which Shakespearean play you would like to see performed at the completion of the 2021 season. This open door endeavour invites you not only to help us lift the curtain, but immerse yourself behind it throughout the full journey of a production.

Subscribe to Black Swan newsletter to vote for your favourite.

This exhibition attempts to showcase works of art that reflect the depth of Aboriginal and Torres Strait Islander art and culture, with other aspects of the Aboriginal condition. As a result, radical observations about the ups and downs of life will, at times, weave in and out of stories about Country. Equally, across the show, visitors will encounter passages of serenity, corridors of tradition, and trails that speak to the upheavals experienced by generations of Indigenous people. Balancing Act features the work of Aboriginal and Torres Strait Islander artists living and working across the State and Australia. Works of art by local Noongar artists such as Revel Cooper (dec.), Sandra Hill, Dianne Jones and Shane Pickett (dec.) sit loud-and-proud among those by Richard Bell, Karla Dickens, Julie Dowling and Brian Robinson to name a few of the many stellar artists in the show. Image - Richard Bell One more hour of daylight 2017-2019. Synthetic polymer paint on linen, three parts: 240 x 540 cm (overall). State Art Collection, Art Gallery of Western Australia. Purchased through the Art Gallery of Western Australia Foundation: TomorrowFund, 2019. © Richard Bell, courtesy Milani Gallery, Brisbane.

Storytime is a story telling session for pre-schoolers, followed by a play session or take home colour in sheet. During the school term, storytelling sessions for pre-schoolers are held on Tuesdays at 10.30am and repeated on Fridays at 10.30am. During school holidays, storytime is held on Fridays only at 10.30am. Please be sure to book a ticket for every person attending including children.

You may not have heard of walking netball yet, but this new sport is a fun and friendly way to keep fit. Essentially indoor netball where you're only allowed to walk, Welcome Back Netball run a game every Tuesday evening at the Gold Netball Centre in Jolimont at 5.45pm.

This game attracts a range of players, from young people recoving from injuries to older players that are 50+. Everyone is welcome! If you'd like to try this unusual take on the original game of netball, get in touch. 

Alex Martinis Roe sets out to explore feminist, lesbian and queer kinship structures via a non-linear genealogy of the artist’s own kin. Alex Martinis Roe explores feminist genealogies and seeks to foster specific and productive relationships between different generations as a way of participating in the construction of feminist histories and futures. This involves developing research and storytelling methodologies that employ non-linear understandings of time, respond to the specific practices of different communities, experiment with the set-up of discursive encounters and imagine how these entanglements can inform new political practices. 

Conceived for the central gallery space at PICA, Amy Perejuan-Capone presents a new body of work including sculpture, video and installation, using the dramatic height of the gallery for the presentation of historical hang gliders. Perejuan-Capone‘s practice is underpinned by an enquiry into the systems of exchange that are present through the acquisition and application of craft. Across broad mediums including ceramics, textiles and metalworks, she seeks to understand objects, materials and the networks of social and cultural agency held within them. Present in her work, which often take form as large scale sculptural installations, are the interconnected systems of environment, production, labour and personal and social histories.