Written and directed by Scott Mcardle. Originally produced and presented by second chance theatre. In collaboration with the Blue Theatre

Lucy and Arnold are 13. Both outcasts. Both have seen hard times. Both irrevocably changed from one adventure into the bush looking for a dying kangaroo. Now they must navigate a wasteland of broken hearts, peed pants and carrot spew. It’s homework, hormones and homicide.

A hit of The Blue Room Theatre 2019 season, this modern suburban coming-of-age story explores how we hurt each other, how we help those that are hurting, and how your music taste is never better than when you’re a teenager.

First Nations heritage, a family curse and ghosts at the dinner table. David’s been keeping a safe distance from all these things but now work is calling him home. To make things worse, he’s approving a new mine site, on his own Sacred Ground. This is all a secret from the rest of his family, who think he’s come home for the anniversary of his Dad’s death.

Kangaroo Stew will give you an insight into the life of a modern Aboriginal family. There will be love, punch ups, Creedence Clearwater Revival (Uncle Foggerty!) and of course, the spirits of ancestors past.

Written by Wonguktha/Yamatji/Murri writer Zac James (Ice Land: A Hip H’Opera), this is a story about family and love, grief and Culture, Native Title and the ghosts of our relatives. This is Kangaroo Stew!

Image by Duncan Wright. Warnings: Violence and coarse language. Director: Bruce Denny Writer & Actor: Zac James Cast: Maitland Schnaars, Rayma Morrison, CJ Hampson and Micah Kickett Producer: Emmanuelle Dodo-Balu Stage Manager: Helah Milroy Lighting Designer: Peter Young Publicist: Kaitlyn Elsegood

Presented by State Theatre Centre and A-List Entertainment Pty Ltd Welcome to a new theatrical multiverse! Unbelievable human performance meets special-effects wizardry as the world's favourite Australian comedy duo* perform simultaneously on stage and on the big screen. It feels so much like magic, you'll want to burn them at the stake! Winner of the Best Comedy Award – 2021 Adelaide Fringe Festival *It was this or start a cult.

***** The Advertiser
"Wildly funny, wildly creative... silly behaviour of the highest calibre."  The New York Times
"Exquisitely crafted physical humour and sheer imaginative brilliance."  The Australian
"My faith in comedy was restored." The Times, London

Enter the circle, breathe in the incense and spice, be enveloped by the loving embrace of MoR: An exploration of brown motherhood through the eyes of the migrant daughter. Science experiments meet spoken word poetry, as Dureshawar Khan weaves a rich tapestry of experiences punctuating the journey of brown womanhood and the lessons lovingly passed down from mother to daughter. Told in both English and Pashto, MoR is a love letter to every person we’ve ever called mum.

This exhibition attempts to showcase works of art that reflect the depth of Aboriginal and Torres Strait Islander art and culture, with other aspects of the Aboriginal condition. As a result, radical observations about the ups and downs of life will, at times, weave in and out of stories about Country. Equally, across the show, visitors will encounter passages of serenity, corridors of tradition, and trails that speak to the upheavals experienced by generations of Indigenous people. Balancing Act features the work of Aboriginal and Torres Strait Islander artists living and working across the State and Australia. Works of art by local Noongar artists such as Revel Cooper (dec.), Sandra Hill, Dianne Jones and Shane Pickett (dec.) sit loud-and-proud among those by Richard Bell, Karla Dickens, Julie Dowling and Brian Robinson to name a few of the many stellar artists in the show. Image - Richard Bell One more hour of daylight 2017-2019. Synthetic polymer paint on linen, three parts: 240 x 540 cm (overall). State Art Collection, Art Gallery of Western Australia. Purchased through the Art Gallery of Western Australia Foundation: TomorrowFund, 2019. © Richard Bell, courtesy Milani Gallery, Brisbane.