The globetrotting opera star returns home for WA Opera’s production of Faust. She tells us how a girl from the ‘burbs became one of the country’s most lauded musicians.

<p> <strong>So, how did you get into opera in the first place? We can’t say that we watched a whole lot of arias on rage when we were growing up in Perth…</strong><br /> Yep, I grew up with very different music! I’d never even heard an opera until I was at university. One of the first productions I saw was Mozart’s Marriage of Figaro. I remember being completely entranced, and when Susanna sang her famous aria “Deh vieni, non tardar” I thought it was the most beautiful thing I’d ever heard.</p> <p> <strong>You’re back in town for Faust. What are you looking forward to about being home?</strong><br /> Working away from home so often means that for me, the simple act of commuting to the city, rehearsing all day at His Majesty’s, and then coming home to share dinner with my family is a real treat. Plus, my friends get to come along and cheer. I love performing in Perth – it’s a real privilege.</p> <p> <strong>Can you share a memory of your favourite performance?</strong><br /> One of my favourite memories would be the iconic performances of Theodora I was in at Glyndebourne Festival Opera in the UK. It was my first contract as a young singer, at one of the world’s great opera houses. A new production, by the splendid and controversial director Peter Sellars, performed by an all-star cast, and conducted by Bill Christie. I worked alongside inspirational musicians, and it changed my life as a singer – from feeling like it was something I really enjoyed, to an understanding that it was art and expression of the highest worth, and I was compelled to pursue it.</p> <p> <strong>We think it’s pretty challenging just watching a three-hour opera performance, let alone performing in one! Could you share some of the more challenging aspects of being an opera singer?</strong><br /> It’s very like being a professional athlete, with all the training, discipline, performance under pressure, of only being as good as your last performance, having to go on even if you’re unwell. However, in my experience the most challenging aspect is not working at all. At the end of the day, it’s not just a job, it’s part of who I am.</p>

Join Our Community
You May Also Like

Related Posts

Sara Macliver: Australia’s beloved Soprano on the joys of live music, Perth’s own music scene and working with Musica Viva

Sara Macliver, a Perth born and based Soprano, is an instantly recognisable voice in the Australian classical music scene, of which she has been a definitive part for three decades. As with many artists, Sara had many performances cancelled during lockdown, but has managed to keep bringing joy to people through song, including concerts for […]