You're invited to come behind the scenes at WAAPA. Speak with staff members about course options and learn about auditions. Marvel at the design work, costumes and props on display. Check out the superbly equipped lighting and sound studios, the music technology labs and the scenery construction workshops. Explore the campus, take a backstage tour and attend information sessions.

This current affair show, live on stage, is a provocative, insightful, and witty evening with international human rights judge and barrister Geoffrey Robertson QC. Geoffrey Robertson will analyse the current Australian and global politics, the current international turmoil, explain how fake news distorts democracy, what is really happening to the royal family, and his calls for Australian constitutional regeneration. He will explain what is happening to Julian Assange, how to stop the rich from inheriting the world, and the thinking behind ‘Bad People – and How to Be Rid of Them.’ The show will give an insight into his life and famous cases and his crusade to restore cultural property from museums around the world to the people from whom it was stolen.

‘Chinoiserie’, the Western appropriation of Asian aesthetics, briefly represented the height of fashion for European aristocracy during the early eighteenth century, before falling out of favour and being variously characterised as effeminate, immoral and transgressive. Today the style remains something of a guilty pleasure, via its undeniable aesthetic charm, but intensely problematic and kitsch appropriation of Asian culture. A Gentle Misinterpretation will transform FAC’s gallery spaces into an opulent, sensual and comedic exploration of one of Western culture’s most fascinating aesthetic curiosities. ARTISTS Abdul Abdullah Casey Ayres Nathan Beard Sandra Black Tanija and Graham Carr David Charles Collins Theo Costantino Susan Flavell Tarryn Gill Pilar Mata Dupont Cherish Marrington Andrew Nicholls And various artisans from Jingdezhen China and residents of Brighton, UK

Taylor and Pugh have worked together to transform Taylor’s Niminjarra paintings, usually seen on canvas or paper, into highly tactile textile works, animating the important Niminjarra Jukurrpa (Dreaming). “Niminjarra is the two brothers transforming into a snake so they can come back home to Ngayartakujarra (Lake Dora). They were in training for ceremony, those two brothers, but they were kept too long, and nobody was there to release them. They waited then they decided to transform into snakes to travel back to where they came from, because their mother was waiting for them. This is Jukurrpa (Dreaming story).” — Desmond Taylor, 2019 This body of work is born of Taylor’s desire to see his artworks reimagined through a textile medium and is a contemporary crafting of important ancestral stories deeply rooted in Warnman Ngurra (Country). The dynamic intercultural collaboration between Desmond Taylor and textiles practitioner and educator Mariaan Pugh continues the practice of cultural and creative exchange, driven by Taylor and other Martu artists through Martumili Artists, sharing narratives and understandings of the world from the Great Sandy, Little Sandy and Gibson deserts with national and international audiences.

This City of Fremantle Art Collection exhibition presents a series of Ferrier’s new print works and short animated videos alongside a survey of her internationally renowned Angry Underwear project. Continuing Ferrier’s decades-long feminist practice, the new body of digital prints use photo-montage processes to reassemble ‘taboo’ 1980’s Playboy centrefolds. Challenging misogynistic gender ideals and giving voice to feminine authority, Ferrier reimagines women’s bodies from passive, objectified figures into dynamic surrealist forms. The new works featured in Pop Porn were developed while Ferrier was in residence at Fremantle Arts Centre in 2021.

"You can't trust anyone nowadays... All sorts of nasty people waiting here at the end of the world..." Underground in an apocalyptic world, the lines of truth are blurred in this high-stakes family drama that fuses together the tropes of reality TV under a glam rock aesthetic. Holly’s the eldest; the one who goes above. Carrie’s the youngest; the one who needs protecting. And then there’s Marcus; smack bang in the middle of everything. That’s how it’s been and always will be. And then there was an intruder… Having survived for years in a web of lies of their own creation, the family secrets begin to unravel and their airtight bunker is beginning to seem like a more dangerous place than even the outside world. This original work presented by Beyond The Yard Theatre (52 Hertz, Sink) is ready to provide a frisson of exhilaration that will spill the tea on all those juicy family secrets lying just below the surface.

In the wake of a new Government, new WHS Act and an everchanging HR/IR landscape, we are pleased to announce this #"HR/IR Action Shot 2022" seminar will be presented by Rob Malcolm, Associate and Kenyon Lee, Lawyer from MinterEllison. For more information and details of what the seminar will provide click on the booking button.

STRUT Dance invites audiences to witness a double bill that celebrates independent contemporary dance from Western Australia. 2022 marks STRUT Dance’s inaugural season of GROUNDWORKS; a platform that offers unique and essential support for mid-length presentation for independent choreographers, allowing them to present performance works in front of an audience, in a theatre setting. GROUNDWORKS 2022 incorporates a blend of contemporary dance, sound, light, and set that celebrates live performance in the theatre; a place where an audience can gather and be transported into another realm. About each performance TITLE: Killjoy Within the confines of an office space, doom descends upon two workers caught in corporate submission. Time is irrelevant here. Inspired by the Japanese ’salary man’ phenomenon, Killjoy is a cult horror film meets live dance-theatre. CHOREOGRAPHER: Kimberley Parkin of Parkin Projects PERFORMERS: Rhiana Katz & Luther Wilson SET AND COSTUMER DESIGN: Declan Macphail / Object House COMPOSITION / SOUND DESIGN: Feels LIGHTING DESIGN: Peter Young TITLE: As the Edges Soften As the Edges Soften explores the transient moments shared between two people, and the temporality of moving together, even if apart. This cathartic duet navigates the in between spaces of our interactions, and the heightened need for connection in a pandemic world. CHOREOGRAPHER AND PERFORMER: Jo Omodei PERFORMER: Mitch Spadaro UNDERSTUDY: Nadia Priolo MENTOR: Bernadette Lewis LIGHTING DESIGN: Peter Young SOUND DESIGN: Sophia Hansen-Knarhoi *Please note post-show discussion with artists will be held after performance on 19 Aug, approx 30 mins *Suitable for all ages however please be aware this performance contains mild violence, swearing, adult themes, strobe lighting and smoke/haze.

Green Day were heavily involved in the musical’s development from its first iteration at the Berkeley Repertory and to Broadway and beyond – Green Day frontman Billie Joe Armstrong also stepped into the critical role of St. Jimmy on Broadway a few times during its run. The musical made it’s debut on Broadway in 2010 and features the hits “Boulevard of Broken Dreams,” “21 Guns,” “Wake Me Up When September Ends,” “Holiday” and the blockbuster title track “American Idiot”. Also included in the score are several songs from Green Day’s 2009 release “21st Century Breakdown,” and an unreleased love song, “When It’s Time.” It tells the story of three friends, Johnny, Will and Tunny - each searching for meaning in a post 9/11 America, discovering love, loss, drugs, sex and rock and roll along the way. American Idiot will be directed by Artistic Director of Midnite, Gregory Jones, with musical direction by Jarrod Van Dort conducting an eight-person live band. "We are excited to bring this explosive rock opera to life", says Midnite's Director, Gregory Jones. “It’s a high-octane show with strong social messages that are relevant today, providing an opportunity for young people to challenge their decision making and express themselves.” The production brings together a talented ensemble of year 11 and 12 students from a range of schools throughout WA. Based at Christ Church Grammar School, Midnite has a reputation for producing outstanding productions and nurturing young and upcoming WA talent. Note: the show contains coarse language and mature themes.

Belvoir St Theatre artistic director Eamon Flack adapted Ibsen’s Ghosts for a 2017 Sydney production – and now his second cousin Thomas Dimmick is directing the show in Perth. Regarded as a scathing commentary on 19th-century morality, Ghosts is the story of Helene Alving who is about to open an orphanage in her late husband’s name. Her maid Regine is helping to prepare things, Regine’s carpenter father has been working on the building and Pastor Manders is organising the paperwork. At the same time, Helene’s son has also come back from Paris for the occasion. Henrik Ibsen’s Ghosts plays at 8pm August 11, 12, 13, 18, 19 and 20 with a 2pm matinee August 14. Tickets are $23, $18 concession – book at www.TAZTix.com.au. Note: the show contains adult themes. Melville Theatre is at 393A Canning Highway (corner of Stock Road), Palmyra.

What a decade it was! The Carpenters had only just begun, ABBA were sending out an SOS, Helen Reddy was woman and we heard her roar! Featuring an avalanche of easy listening from The Carpenters, Olivia Newton-John, ABBA, Peter Allen, Carole King, Billy Joel, Barbra Streisand, Sister Janet Meade & Kermit The Frog! Songs include: You Are the Sunshine of My Life, New York State of Mind, I Honestly Love You, Imagine, Short People, The Long and Winding Road, Don’t Go Breaking My Heart, It’s Too Late, Sing, Big Yellow Taxi & Love Will Keep Us Together. She’s got the moves of Joe Cocker. He’s got Freddie Mercury’s teeth. She’s got the dress sense of the Bay City Rollers. He’s got the pure animal magnetism of Leo Sayer. They’re gonna nail this! Warning: Show may contain traces of Mull of Kintyre!

Formed in Perth through a mutual love of exotic rhythms and odd-time signatures, Number Junky is a guitar-led trio that plays warped jazz standards and number-crunching original music while retaining a focus on lyrical melodies and lush harmony. The group is made up of forward-thinking jazz improvisers - former London-based acclaimed Danish guitarist and composer Kristian Borring and the exciting rhythm section of Zac Grafton on double-bass and Peter Evans on drums, both originally from the eastern states and now thriving players in Perth. Number Junky launches their anticipated debut album 'Earth Matters' at Lyric's Underground. Expect an amazing night of jazz featuring special guest pianist Harry Mitchell with support from trumpeter, Jess Carlton. "Borring’s composition display a lyricism as well as logic that takes the listener on a journey and inspires further listening." – Garry Lee, Seesaw Magazine (AUS) "Intense and cool playing" – Jazz Special (DK) "Kristian’s original compositions are immediately attractive and enduringly impressive" - Chris Parker, London Jazz (UK) Supported by The Department of Local Government, Sport and Cultural Industries.

Kerry and his band the Blues Experience will be performing selected songs of Jimi Hendrix from Electric Lady Land, Are You Experienced and Rainbow Bridge. This will be a night to experience. Previous performances have had wonderful feedback from audience members including some who were at Jimi’s Live shows!

Meet dogs from all walks of life on the big screen at the 2022 Top Dog Film Festival. Meet 4 legged heroes, unbreakable bonds and canine companions that enrich the lives of all those they encounter. Experience heartfelt stories of people who dedicate their lives to improving the outcomes for man’s best friend and take a look at the lighter side of the pet-owner relationship. The 2022 Top Dog Film Festival presents a 2-hour cinematic celebration honouring the bond between dogs and their people. Filled with delightfully doggy moments of joy and celebration of our beloved canine companions.

Furious, tender, harrowing and harmonious, Britten’s anti-war anthem decries the senselessness of the battlefield. Interweaving the poignant words of celebrated war poet Wilfred Owen with the Latin text of the Requiem mass, Britten laments the collective bloodshed and sorrow with a vital and visceral oratorio on the hell of war.

Join us as we welcome Pilbara artists and art centres to AGWA for a three-day program of talks, tours, sharing, and workshops to celebrate the final weeks of the expansive Tracks We Share: Contemporary Art of the Pilbara exhibition. Tracks We Share: Contemporary Art of the Pilbara brings together more than 70 artists and over 190 artworks. This extraordinary body of work features the most exciting contemporary art coming out of the region while paying homage to the legacy that has informed it, offering a rare and broad-reaching insight into the region’s artistic output over the years. The exhibition closes on Sunday 28 August, so join us on 19-21 August for an unmissable celebration of Pilbara culture with artist talks, art demonstrations and family activities. Visit the website for the full weekend program.

Hot off the back of their #1 NZ single ‘Cool it Down’ and a sold out Aus tour supporting music icons Six60, Perth band of brothers Coterie are hitting the road for their first ever Australian headline run.

Known for their stellar onstage charisma, Crooked Colours have built a devout following across Australia having sold out numerous previous headline tours, alongside a multitude of festival slots across Wildlands, For The Love, Splendour In The Grass & Laneway Festival. With the upcoming release of their first single of 2022, ‘Feel It’, further teasing their third studio album, this tour will showcase one of Australia’s hottest electronic acts as they continue from strength to strength. Secure your tickets now as these will be in high demand!

Using characters from Doctor Who’s classic era, Lethbridge-Stewart: Blue Blood is an action-packed thriller best described as “sci-fi horror”. Bodies of missing people around the world start turning up, as if ripped apart by wild animals, seemingly linked to an experiment gone wrong 30 years ago in World War II. “Given the horror elements in my novel, the Perth Horror Film Festival seemed an ideal place to do a book signing,” Thomas said. “Many Doctor Who stories themselves have drawn on horror classics such as Frankenstein, Dracula and The Strange Case of Dr Jekyll and Mr Hyde or styles of horror, including Nordic noir. “They all have a broody atmosphere that draws you in but add a science-fiction twist along the way. “On August 20, the Perth Horror Film Festival is having its own night of sci-fi horror with several local short films evoking the theme and the main feature, The Day the Earth Caught Fire.” Thomas will be signing copies of his novel, available for $20 cash, from 6pm August 19 and 20 and 1pm August 21.

Whatever the reason, fans of the genre are in for some good news – the first annual Perth Horror Film Festival is ready to engage you in plenty of fear, suspense and terror with a variety of popular movies and independent shorts. From August 19 to 21, the Perth Horror Fans are taking over The Backlot Perth for three days of terrifying chills, bloody deaths and audience screams. Perth Horror Fans director Vanessa Gudgeon said the festival had been curated by genre fans – for genre fans. “The program showcases the incredible talents of local horror and science-fiction short filmmakers, paired with classic feature films that are rarely screened in Australia,” she said. “There are lots of prizes being given away across the three days. Audience members are able to have their say by voting for their pick of best short film. “The goal is to inspire filmmakers to uphold the standards of genre filmmaking in WA, while still being given the freedom to make the films they want.”

Born and bred in our home city, Perth Craft Beer Festival has always been about enjoying quality produce and supporting locals, as well as revealing new and exciting things to try from near and far. The new decade has seen the event transform and expands into Froth Town, showcasing 75+ local and international breweries plus an epic range of quality food offerings, special guest DJs, live music, plus an abundance of activities for the whole family to enjoy. If the beer doesn’t tickle your fancy, check out some of the wineries, distilleries and cideries that will be showcasing other quality drops. Froth Town has cemented itself as a highlight in any city’s winter calendar. F*YEAH FRIDAY - Aug 19 // 5pm - 11pm SATURDAY-FOR-IT - Aug 20 // 10am - 4pm SUPER SATURDAY - Aug 20 // 5pm 11pm

The event will be a classy affair, from 5 pm enjoy the sunset view from the newly completed spacious deck, then sit down for a three course meal with fabulous live music and a huge dance floor will be available. Tickets go on sale soon at the Derby Visitors Center. Full bar and disabled access.

Mama Red & the Dark Blues take listeners on a musical journey to Hades via Lost Love Canyon, Near Miss Alley and Shotgun Street – and bring them out feeling like they’ve ridden a thousand miles on a horse named Sorrow, but lived to tell the tale. Described as ‘Alt-Country-Pop with a hint of blues’, but messing with genres, gender stereotypes and refusing to be stylistically confined, the band’s eclecticism and originality is part of their charm. After a (more than) five year wait, the band is releasing their new conscious concept album, Long Way to Redemption, at Lyric’s Underground. The band has evolved, and hard hitting social, environmental, political and personal themes bring both pathos and positivity to this release. In true Dark Blues form, the new work is heavy with heart-wrenching harmony, moving fearlessly across genres, but woven together seamlessly through lyrical narrative and dark Australian Gothic storytelling. Harry Deluxe (AKA Mama Red) – Lead vox Melanie Bainbridge – Song writer, Backing vox Therese Cruise – Backing vox (Big) Al James – Guitar, vox Holly Norman – Drums, percussion, vox Johnny (the fox) Wilson – Bass Alistair McEvoy – Saxophone Sanshi - Digeridoo

The fabulous CBD location speaks to the intersection between art and business, work and life, echoing the overarching theme of this exhibition series. Sherylle’s abstractions recollect human experiences that occur in the minute intersections of our daily lives, while Louise’s emotive portraits remind us of the poignancy of the connection to self and others.